Blue is a serene and calming colour that represents intelligence and responsibility. Blue is cool and relaxing. Light baby blue is peaceful, while dark blue can signify depth and power.
Beautiful Artwork from French/Kurd Illustrator Gülşah Keleş. She work as an illustrator and designer and lives in Lyon.
Confirmed professional, she had already worked with institutional companies (Pôle Emploi, Métropole de Grenoble, Métropole de Lyon, INSEE) and private companies (AXA, M6, EDF ENR, Carrefour, Pernod Ricard, etc.) who have always been satisfied with her services.
Beautiful Artwork from French/Kurd Illustrator Gülşah Keleş. She work as an illustrator and designer and lives in Lyon.
Confirmed professional, she had already worked with institutional companies (Pôle Emploi, Métropole de Grenoble, Métropole de Lyon, INSEE) and private companies (AXA, M6, EDF ENR, Carrefour, Pernod Ricard, etc.) who have always been satisfied with her services.
Beautiful Artwork from French/Kurd Illustrator Gülşah Keleş. She work as an illustrator and designer and lives in Lyon.
Confirmed professional, she had already worked with institutional companies (Pôle Emploi, Métropole de Grenoble, Métropole de Lyon, INSEE) and private companies (AXA, M6, EDF ENR, Carrefour, Pernod Ricard, etc.) who have always been satisfied with her services.
The Beggarstaffs' posters were created using entirely novel techniques involving collaging cut-paper shapes or stencilling flat colour onto huge sheets of ordinary brown wrapping paper. Their striking simplicity, relying on outline and silhouette to suggest forms, demonstrated the young artists’ idea that a poster must be effective, even when merely glimpsed from a moving horse-bus.
The Beggarstaffs' posters were created using entirely novel techniques involving collaging cut-paper shapes or stencilling flat colour onto huge sheets of ordinary brown wrapping paper. Their striking simplicity, relying on outline and silhouette to suggest forms, demonstrated the young artists’ idea that a poster must be effective, even when merely glimpsed from a moving horse-bus.
Hanna Peterson is a Swedish artist, based in Copenhagen, Denmark. Her pattern artworks were on the runway during Copenhagen fashion week, and her paintings are represented in interior magazines.
Hanna Peterson is a Swedish artist, based in Copenhagen, Denmark. Her pattern artworks were on the runway during Copenhagen fashion week, and her paintings are represented in interior magazines.
Hanna Peterson is a Swedish artist, based in Copenhagen, Denmark. Her pattern artworks were on the runway during Copenhagen fashion week, and her paintings are represented in interior magazines.
Hanna Peterson is a Swedish artist, based in Copenhagen, Denmark. Her pattern artworks were on the runway during Copenhagen fashion week, and her paintings are represented in interior magazines.
Beautiful illustration from Moonmambo about a human, sitting on a chair holding a ball in his hand, it means to take care and to give value to whats in your hands indeed and try to align all around you in your life to keep everything in balance.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
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