The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
The rich text element allows you to create and format headings, paragraphs, blockquotes, images, and video all in one place instead of having to add and format them individually. Just double-click and easily create content.
A rich text element can be used with static or dynamic content. For static content, just drop it into any page and begin editing. For dynamic content, add a rich text field to any collection and then connect a rich text element to that field in the settings panel. Voila!
Headings, paragraphs, blockquotes, figures, images, and figure captions can all be styled after a class is added to the rich text element using the "When inside of" nested selector system.
Ludwig Hohlwein (27 July 1874 in Wiesbaden – 15 September 1949 in Berchtesgaden) was a German poster artist, a pioneer of the Sachplakat style. He trained and practiced as an architect in Munich until 1911, when he moved to Berlin and switched to poster design
Ludwig Hohlwein (27 July 1874 in Wiesbaden – 15 September 1949 in Berchtesgaden) was a German poster artist, a pioneer of the Sachplakat style. He trained and practiced as an architect in Munich until 1911, when he moved to Berlin and switched to poster design
Ludwig Hohlwein (27 July 1874 in Wiesbaden – 15 September 1949 in Berchtesgaden) was a German poster artist, a pioneer of the Sachplakat style. He trained and practiced as an architect in Munich until 1911, when he moved to Berlin and switched to poster design
The Beggarstaffs' posters were created using entirely novel techniques involving collaging cut-paper shapes or stencilling flat colour onto huge sheets of ordinary brown wrapping paper. Their striking simplicity, relying on outline and silhouette to suggest forms, demonstrated the young artists’ idea that a poster must be effective, even when merely glimpsed from a moving horse-bus.
The Beggarstaffs' posters were created using entirely novel techniques involving collaging cut-paper shapes or stencilling flat colour onto huge sheets of ordinary brown wrapping paper. Their striking simplicity, relying on outline and silhouette to suggest forms, demonstrated the young artists’ idea that a poster must be effective, even when merely glimpsed from a moving horse-bus.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
The cover sprayed elegance with a whiff of art deco. The use of reduced forms and the graphic image-style of Modernism were also highlighted. The individual game of combining typography and scenic presentation made each issue a unique piece of design. The issues became outstanding witnesses to their time. With the beginning of the world economic crisis, the era of the roaring twenties ended and German Vogue was shut down after only one and a half years, not to reappear on the market until many years later, in 1979. These outstanding early issues are all the more precious for it.
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