Frank van Bennekom ('81), Analog Photographer, Amsterdam. Van Bennekom, originally schooled as an architect, has a cinematic approach to his analog stills. Subjects such as sun-drenched beaches, empty roads and classic automobiles all embody the atmosphere of the jet-setter lifestyle that Van Bennekom enticingly presents. Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
Frank van Bennekom ('81), Analog Photographer, Amsterdam. Van Bennekom, originally schooled as an architect, has a cinematic approach to his analog stills. Subjects such as sun-drenched beaches, empty roads and classic automobiles all embody the atmosphere of the jet-setter lifestyle that Van Bennekom enticingly presents. Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
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Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
Frank van Bennekom ('81), Analog Photographer, Amsterdam. Van Bennekom, originally schooled as an architect, has a cinematic approach to his analog stills. Subjects such as sun-drenched beaches, empty roads and classic automobiles all embody the atmosphere of the jet-setter lifestyle that Van Bennekom enticingly presents. Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
Focusing on beauty Van Bennekom’s work often has a nostalgic aesthetic, supported by his use of soft colour film and choice of vintage cameras.
